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Spectrum Studies


Spectrum Studies
Tilopa
Flugfarben 2
FEUER
Flugfarben 1
Ledoux - Arc-et-Senans
Lascaux

Flugfarben 2 from Herbert Giller on Vimeo.

Spectrum Studies
video by Herbert Giller, Rigdrol Video 2011
music by Anna Pidgorna

Jana Starling, clarinet
Shawn Bostick, glockenspiel
Jonathan Smith and Luke Patterson, vibraphone

http://soundcloud.com/annapidgorna

A video composed for the music piece titled "Spectrum Studies" by Anna Pidgorna.

A compilation of already existing music with images. The images are arranged along the line of music. Both elemts show up knots and releases, independence and correlation, communication and subtle interaction.
I was fascinated by the transparancy of sound in such a visual environment. I beleive, that ear and eye together recognize more, whenever both perceptions are related and tuned. This is an experiment to proof and experience the limits of perception and their interactive positions.

Many thanks to Anna Pidgorna for this soundtrack.

The source was taken from
http://soundcloud.com/annapidgorna

There she writes about on Soundcloud.com:
This was my first attempt at spectral music. It is also quite serial. I am using the first nine (if I remember correctly) partials of the clarinet spectrum. There are no quarter tones since I'm working with glockenspiel and vibraphone. I didn't think they'd appreciate it if I filed them down.

Instrumentation: clarinet in Bb, glockenspiel and vibraphone performed by
Jana Starling, clarinet
Shawn Bostick, glockenspiel
Jonathan Smith and Luke Patterson, vibraphone

http://www.annapidgorna.com/

Spectrum Studies
video by Herbert Giller, Rigdrol Video 2011
music by
Anna Pidgorna
soundcloud.com/​annapidgorna

A video composed for the music piece titled "Spectrum Studies" by Anna Pidgorna.

A compilation of already existing music with images. The images are arranged along the line of music. Both elemts show up knots and release, independence and correlation, communication and subtle interaction.
I was fascinated by the transparancy of sound in such a visual environment. I beleive, that ear and eye together recognize more, whenever both perceptions are related and tuned. This is an experiment to proof and experience the limits of perception and their interactive positions.

Many thanks to Anna Pidgorna for this soundtrack.

The source was taken from
soundcloud.com/​annapidgorna

There she writes about on Soundcloud.com:
This was my first attempt at spectral music. It is also quite serial. I am using the first nine (if I remember correctly) partials of the clarinet spectrum. There are no quarter tones since I'm working with glockenspiel and vibraphone. I didn't think they'd appreciate it if I filed them down.

Instrumentation: clarinet in Bb, glockenspiel and vibraphone played by two players.

annapidgorna.com/​


remarks:
A similar scenery was realized with these videos on Vimeo as "Flugfarben 2" and "- 3" but without sound:
vimeo.com/​2326050
vimeo.com/​2325628